The addition of light – that feels so essential in advent – has, this year, been characterised by trees and stars.




As well as illuminated stars in Studio Hundy and our Girrick cottage window, this week I created a “sustainable” tree from garden bamboo canes. Whilst making the structure, as if on cue, a “Christmas” Robin visited to investigate and then drink from the bird-bath.


November had been a busy time in Studio Hundy, fulfilling a commission for 150 lino-printed Christmas cards. As soon as these were complete and we turned to December, I started to sketch out a new design for my own card this year – a Heron.


The stillness of the Heron in the lino print was inspired by a chapter in a wonderful book we are currently reading – an anthology of weekly contempations and practices for spirituality through the lens of psychology, inspired by the culture and mythology of the Celts in Britain and Ireland and their connection with nature.

“Psychologically, the heron represents a part of us who longs to penetrate below the surface of life into its Mystery for the long-forgotten memory of who we are, which we begin to discern in times of stillness”.
Wilson, Michael. Portals into Deep Imagination. Celtic Mythology, Nature’s Year, and the Quest for Soul. Aeon, 2025
Finding stillness at this time of year seems all the more important as the outer pressures of the lead-up to Christmas mount.


This includes taking time to reflect on the year that is coming to a close.
Quite an eventful year.

And the “secrets” in the title of this post?
Firstlly it refers to the mystery that lies “below the surface of life” (quote above); and secondly it takes me back over 12 years when Clare devised and performed her other solo show as part of LTP (Landscape Theatre Project). Clare’s Many Threads. Part exhibition, part theatre piece, it painted an intimate portrait of a landscape.
“What really lies out there in the hills and valleys? What lives in the trees and by the stream. Come along to LOOK, LISTEN and DISCOVER!!”


It was 5 years earlier, whilst collaborating with Clare in developing the methodology for LTP, that my interest in field recording was really sparked.
During a 2 week, immersive study of a local valley (Muckle Thairn) I experimented with my 1980’s Aiwa stereo cassette walkman, two basic plug in mics, mounted on an adapted paint roller on the end of a extended umbrella!! Very DIY!
I used this kit to record the soundscape for our first LTP scratch performance at the local village hall.
Who’d have thought 17 years on I’d be at an amazing ambisonic sound residency in Argyll! Sound of Alchemy
A year (and much more) to remember.

1980’s Aiwa Stereo cassette recorder – nostalgia






































